instrument: earth
when: August 2015
where: Athens
researcher: odysseas-k link: atectonics.net
instrument: magnets + rubber sheets
place: Athens, oneContinuousLab studios
when: december 2018
researcher: odysseas-k
Mário Gomes - Hartwig Mayer
when: 2015
where: Berlin
project by: odysseas-k
with the support of EASTN-DC
Mário Gomes - Hartwig Mayer
when: 2015
where: Berlin
project by: odysseas-k
with the support of EASTN-DC
when: 2013
who: alexandros-k link: alexandros-k.com
when: 2016
where: Berlin
who: odysseas-k link: atectonics.net
is an architect and artist, and co-founder of "A|TECTONICS experimental studio for architecture". His research interests derive from the development of expanded architecture and its infusion to soundscapes and local environments. His work ranges from abstract to material synthesis, from form to sound, from geometry to ametry, from word to movement, from air to rhythm, and from light to concrete mythoplastic topologies. His artistic work has been presented at Haus Kultur der Welt (HKW), Center for Art and Media Karlsruhe (ZKM), Jewish Museum Berlin, and at the local experimental scene of Berlin.
www.atectonics.net
www.atectonics.net
[co-founder]
is an academic, musician and artist, conducting transdisciplinary research and creating work at the intersection of art, science and technology. His work deals with sound, images, shadows, words, interaction, motion, digitally fabricated structures and 3D forms composed algorithmically and physically. He is a Senior Lecturer at Cardiff School of Art and Design (CSAD) at the Cardiff Metropolitan University, as well as founder partner coordinator of the EU funded European Art Science Network - Digital Creativity project.
www.alexandros-k.com
www.alexandros-k.com
when: 2013
where: Berlin
who: odysseas-k link: atectonics.net
Dr. Edgar Berdahl and Dr. Alexandros Kontogeorgakopoulos, creators of the device and framework, have held talks and workshops on international conferences, Universities and for wider audiences such us at the Ableton’s Loop festival. Over the years, different versions of the device have been used in compositions and audio-visual performances in the US and Europe.
place: LJUDMILA, Ljubljana, Slovenia
when: february 2019 mentor:
Dr. Alexandros Kontogeorgakopoulos link: here
a view behind the scenes of a light and sound installation, which echoes the simplest mathematical model of computation. A series of light paintings and sound depict the evolution of a one-dimensional cellular automaton - Rule 110 (or Rule 01101110), which is the simplest known Turing complete system. This means that it is capable of simulating any computer algorithm.
(light + sound installation)
instrument: Rule 110,
LED shadow projectors, speakers, bela boards
place: LJUDMILA, Ljubljana, Slovenia
when: february 2019 author/composer:
Alexandros Kontogeorgakopoulos
developed by:
oneContinuousLab
[Alexandros-K (Ljubljana), odysseas-k (Athens)] link: here
a view behind the scenes of a light and sound installation, which echoes the simplest mathematical model of computation. A series of light paintings and sound depict the evolution of a one-dimensional cellular automaton - Rule 110 (or Rule 01101110), which is the simplest known Turing complete system. This means that it is capable of simulating any computer algorithm.
(light + sound installation)
instrument: Rule 110,
LED shadow projectors, speakers, bela boards
place: LJUDMILA, Ljubljana, Slovenia
when: february 2019 author/composer:
Alexandros Kontogeorgakopoulos
developed by:
oneContinuousLab
[Alexandros-K (Ljubljana), odysseas-k (Athens)] link: here
are experiments based on "Skin of Air", an air blowing instrument for rhythm sensing and creation, where rhythms can be heard, seen or pressure felt.
In - hand series - oneContinuousLab examines the direct alteration of the airhythmic enivronment by hand gestures. The action happens just when hand and air meet.
19.4 Altes Finanzamt - Berlin, Germany
22.4 Club Eufemia - Warsaw, Poland
23.4 Mayhem - Copenhagen, Denmark
24.4 Hörbar - Hamburg, Germany
25.4 Sala Siroco - Madrid, Spain
26.4 León, Spain
27.4 Café Uf - Vigo, Spain
28.4 CAAA - Guimarães, Portugal
3.5 Pasos Manuel - Porto, Portugal
4.5 Teatro Do Bairro - Lisbon, Portugal
x.5 Berlin, Germany [LP Release]
19.4 Altes Finanzamt - Berlin, Germany
22.4 Club Eufemia - Warsaw, Poland
23.4 Mayhem - Copenhagen, Denmark
24.4 Hörbar - Hamburg, Germany
25.4 Sala Siroco - Madrid, Spain
26.4 León, Spain
27.4 Café Uf - Vigo, Spain
28.4 CAAA - Guimarães, Portugal
3.5 Pasos Manuel - Porto, Portugal
4.5 Teatro Do Bairro - Lisbon, Portugal
x.5 Berlin, Germany [LP Release]
instrument: custom video mixer software
year: 2012/13
visuals/live: odysseas-k (a|tectonics)
assisted by Y.Efstathiou, K.Kelesidou,
G.Kontos, A.Soula, D.Resdnikova
music composition/live:
Mario Gomez & Graf Schreks
graphics: Marco Ugolini
materials: code, arduino, drum machine, dmx lights
year: January 2018
author/composer: oneContinuousLab
(alexandros-k, odysseas-k)
8 impulses were designed and placed on a timeline according to geometrical transformations created by the artists.
instrument: code, sound
author/composer:
oneContinuousLab
(alexandros-k, odysseas-k) place: Jewish Museum, Berlin
exhibition: res·o·nant - Mischa Kuball
curator: Gregor H. Lersch
year: October 2017 More on "res·o·nant"
- Mischa Kuball's exhibition: here
instrument: code, sound
author/composer:
oneContinuousLab
(alexandros-k, odysseas-k) place: Jewish Museum, Berlin
exhibition: res·o·nant - Mischa Kuball
curator: Gregor H. Lersch
year: October 2017 More on "res·o·nant" - Mischa Kuball's exhibition: here
are experiments based on "Skin of Air" prototype, an air blowing instrument for rhythm sensing and creation, where rhythms can be heard, seen or pressure felt.
In - hand series - oneContinuousLab examines the direct alteration of the airhythmic enivronment by hand gestures.
instrument: Skin of Air
year: 2016
author/composer: oneContinuousLab
when: 2016
where: Berlin
who: odysseas-k link: atectonics.net
materials: code, arduino, drum machine, dmx lights
year: January 2018
author/composer: oneContinuousLab
(alexandros-k, odysseas-k)
the movement of a trace begins with the hunt of a voice
when: 2011
where: Athens, Greece
who: Manos Vordonarakis photos :Thomas Ditsas, Zoe Langie
link: manosvo.com
when: 2011
where: Athens, Greece
who: Manos Vordonarakis photos: Thomas Ditsas, Zoe Langie
link: manosvo.com
room(s) exist only as experienced actions, room(s) is remains of senses, room(s) develops in and through movement, not in space, space - time are tools to familiarize with an experience we can't even comprehend or forget: movement. through memory we don't move in stillness. through memory we don't room in stilness. the room's plural lies behind room's singularity, the "room plural" is internal.
There is no plural for room, no room for plural
instrument: soil prints
place: Pallini-Attica, Greece
when: August 2015
researcher: odysseas-k
a project for the first issue of ÇØÜ magazine,
edited by Didio Pestana & Marta Leite